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Entries in Photojournalism (6)

Wednesday
Apr182012

Documentary Wedding Photography - Brecon Beacons, Wales

The Brecon Beacons are a long way from Dorset. The national park in Mid-Wales is a wedding photographer's dream: beautiful, sparse, rugged, majestic. I'll say it again though, it's a long way from Dorset. It's also a long way from London which is where Charlotte and James live, as do a lot of their guests.

So why Wales? I asked the question of James when we met at Llangoed Hall on a sunny, uncharacteristically clear and warm morning in early March. I've mentioned some of the reasons already, so when you have such a historical and captivating venue as Llangoed Hall all to yourselves, exclusively yours for your wedding, then it makes a very exciting prospect. Once owned by the Laura Ashley empire, beautifully maintained and now a highly regarded seat of fine dining and a sumptuous country getaway. Perfect.

As with many of my wedding clients, the first face-to-face meeting was on the day itself. James and I had communicated regularly via email beforehand, so we both knew a bit about each other and had planned our meeting and timings with great organisational skills from James (you can thank me for bigging you up later James). Still, that first meeting is always exciting (at least for me) and it was in the Llangoed Hall car park that we met.

One of the first things I tell couples is to ignore me on their wedding day. The quicker that advice is followed, the better the end result and I don't take offence, no matter how quickly they then forget about me. The first task for James and his assembled groomsmen was to put on their button holes and then practice 'the dance routine'. You'll see a couple of images on that near the start, then a bit more towards the end of the post later.

This wedding has it all: stunning scenery, beautiful people, cute kids, a VW Beetle and that dance routine. It has a combination of storytelling images and natural portraits. To say it was a pleasure to document the day doesn't come close. It was a photographer's dream.

Now a bit of explanation on the rest of this post as I'm not going to write anything else. Not because I don't want to - I'd happily wax on about Charlotte & James' wedding - but because of what should be an obvious fact: documentary photography should tell a story without any additional narrative. I like writing - always have -and will continue to with my technical blog posts but for weddings, I'd like to let the images tell the story. There's a lot of them here - the most I've ever included in a post - because I want to show them in a similar way that might be included in an album. It would be a large album certainly (116 images is pretty BIG) but an album none-the-less.

As ever, I'm interested to know your thoughts, so if you've enjoyed looking at this beautiful wedding, then please take a moment to comment and let me know.

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The Suppliers

Venue: Llangoed Hall - http://www.llangoedhall.co.uk/
Wedding Dress: Naomi Neoh - http://naomineoh.com/
Hair: Clare @ The Cutting Rooms, Hay-on-Wye, 01497 821555
Make-up: by Charlotte
Flowers: The Flower Shop, Hay-on-Wye - http://www.hayflowershop.co.uk/
Cake: Marks & Spencer (dressed by The Flower Shop)

 

 

Friday
Apr132012

London Street Photography - Photojournalism

Cities are superb for honing documentary photography skills. Street photography offers so many different opportunities to look for stories that are happening all of the time. In many ways is one of the most authentic styles of people photography.

In March, I took another trip to London with two other photographers (and friends) - film legend Graham Fry and superb food photographer Stuart Webster - for a full day of street shooting. Resisting the urge to take the Fuji X-Pro1 (a digital camera perfectly suited for photojournalism that I have been testing for real-world wedding use) I once again used my trusty and loved Leica M6 with 35mm lens. I've said this before, but 35mm is without a doubt my favourite focal length. For me it is perfect.

I also took my 1950s Soviet made Zorki-4 camera along for the ride. This metallic rangefinder is based on an old (very old) Leica design and is spectacularly manual to use. The 50mm lens I used on it is based on a Zeiss design and I believe uses Zeiss glass. Whilst not as silky smooth (or enjoyable) to use as the Leica, it was certainly good fun and produces....interesting images.

The traditional thought of landscape photography doesn't hold much appeal for me - at least not producing it. What I like is people. I do however enjoy shapes and light, so the architecture and geometry that surrounds us in cities, is something I really wanted to explore as well as the people side of things.

As always, I welcome comments and questions below the post if you have enjoyed viewing.

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Thanks to Graham for organising and to both of you for a great day.

London Documentary Photographer

Technical Information

Camera: Leica M6
Lens: Voigtlander Ultron 35mm f/1.7
Films: Kodak Tri-X 400, Fuji Neopan 400
Processing Lab: The Whole Picture Online

Camera: Zorki-4 Rangefinder
Lens: Jupiter 3 50 1.5
Film: Kodak Tri-X 400
Processed by Graham Fry